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Dimitri Voudouris (Greek: Δημήτριος Βουδούρης), is an electroacoustic, new music composer, scientific researcher and pharmacist living in South Africa who pioneered UNYAZI,() the first electronic music festival and symposium on the African continent in 2005 that took place at University of the Witwatersrand, in Johannesburg, South Africa. He lectures part-time at Witwatersrand University in electronic music composition. He composes for acoustic instruments, electronic sound sources, multimedia, including dance and theatre. He bases his technical and theoretical compositional approach in research of cognitive psycho-acoustic behavioural patterns in humans and the behaviour of sound in relationship to continued environmental changes. His sociocultural interests have led him to research the survival of music in the 21st century and the impact that media and technology have on the composer. These theories help to create moments of isolation allowing for the morphological study of each individual sound source, a strategic necessity that brings a degree of order and allows for the creation of various building blocks used in the construction of micro-environments that in turn form the backbone of his compositions. == Compositions == *UNOXHAKA () Piano. * ...A VICTORY FOR HEALTH... () News media Audio Montage. *IMPILO () Computer music with prepared environment. *SIZOBONANA () Field recordings, African percussion, computer assisted processing. *PALMOS () Hammond Organ B4, Bandoneon, Oboe, computer assisted processing. *NPFAI.1 () Kalimba, Kundi, Granular synthesis. *NPFAI.2 () Piccolo, Flute, Bass Clarinet, French Horn, Hindewhu, computer assisted processing. *NPFAI.3 () African marimba, computer assisted processing. *NPFAI.3 + WM () Western Marimba and tape. *ISILOKAZANE () Piano. *()-Rd:2 -() – Calculating elastic behaviour of complex microscopic systems:Examining unidirectional vehicular motion Piano and Digital Audio Tape.(study:3 ) *()-Rd:1e ()- Calculating behaviour of complex microscopic systems:Examining mobility of unidirectional vehicular motion in a two-lane system – Computer generated music.(study:4 ) * ΞΩΡΑΑΚ – Παρ.5 () – () – Harpsichord.(study:5 ) * ΞΩΡΑΑΚ – Παρ.5 () – () – Harpsichord and electronics.(study:5 ) * CI-()-H:1e ()- Behaviour of complex macroscopic systems:examining kinetic flow disturbances occurring in vehicular motion during phantom traffic jam formations in a three-lane unidirectional system – Computer generated music.(study:7 ) * SBI -(N1 ):H (1–21 ) (– 2013 ) – (Free flowing traffic congestion ) tracking regular and irregular behaviour of vehicles travelling in a four-lane unidirectional system – Two amplified Harps. * A() 3070/7f – (2013 – 2014 ) – An artificial evolutionary analysis of environments: Artificial speech and singing synthesis, computer assisted electronics, (assisted by Matlab's computational autonomy ) – (study:10 ) * cong()-l''2'' - () - Dynamic sound analysis, computerised transcription of data from various single and multi-lane traffic congestions in a unidirectional system – Grand piano and ()granular synthesis. (study:12 ) * NPFAI.4 () Xigoviya (globular flute), ring modulator with electronic environments * NPFAI.5 () Computer music 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dimitri Voudouris」の詳細全文を読む スポンサード リンク
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